Giant

(Zaki), single in his fifties, was known among people as an example of magnanimity and chivalry, but the seductress Mona was able to conquer his heart, seeking to marry him greed for his money and to achieve for herself all the luxury and influence she could, and after marriage she tries to distance him from his chosen friends and take control On him, and events follow.

Whom Should We Shoot?

The film describes the political and economical corruption in 70s’ Egypt, through the relationship between a powerful man and his wife’s ex-fiance.

The Age of Wolves

Hanan works as a secretary for Shawkat, a businessman who trades in weapons. Despite being watched by the police and constant attacks from the journalist Samia, Shawkat steals Hanan from her fiancé, Ahmed, who works in an Arab country. Hanan's attempts to escape and follow her fiancée fail.

The Shame

A family inherits their father's drug business which leads to their undoing.

Empire M

Well off widow working Mother "Mona" is struggling raising 6 kids at different ages ranging from elementary school to University graduating students. The day she thinks to bring a new husband home proves to be a very difficult task.

روحيه اتخطفت

The Night of Counting the Years

Set in 1881, a year before the start of British colonial rule, it is based on the true story of the Abd el-Rasuls, an Upper-Egyptian clan that had been robbing a cache of mummies they have discovered at tomb DB320 near the village of Kurna, and selling the artifacts on the black market. After a conflict within the clan, one of its members made a crucial decision when the Antiquities Service arrived.

Saladin the Victorious

The first Sultan of Egypt and Syria leads the Muslim military campaign against the invading Christians from Europe during the Third Crusade.

Again, Again

A bank employee has been friends with two different men since childhood; however, when they both begin competing for her hand in marriage, they get into many comedic situations and paradoxes.

Rise to the Abyss

Abla travels to France and gets recruited by the Mossad under the pretext of working as a journalist. By the time she discovers the truth, she's already in too deep. As Abla recruits her fiancé, an engineer in the Egyptian army, the General Intelligence Directorate assigns Khaled to arrest her.

No Longer Kids

The play tells the story of four siblings trying to stop their father from leaving his family for another woman after one of them accidentally finds a love letter from an unknown woman to their father.

The Sinners

Actress Sanaa Kamel is found murdered on her bed, and an investigation starts, taking into account everyone of the guests she hosted at her apartment the night she was killed: her jealous fiancé, a school instructor, a corrupt market manager, one of Sanaa's friends who works as a contractor, and a stud who was Sanaa's secret lover. As the investigation progresses, all the conclusions about the characters are always under question.

The Shepherd and the Women

The widowed Wafaa lives with her teenage daughter Salma and her sister-in-law Azza in her late husband Kamel's remote house. When Kamel's former cellmate comes to offer his help, the three women are hesitant to accept at first, but they end up falling for him and competing for his affection.

The Choice

When a free-spirited sailor is found murdered, his twin brother, a famous novelist, is the prime suspect. Investigators uncover a possible liaison between the dead sailor and the writer's wife, and also learn that Sayed's successful fictions owed much to the inspiration of his brother Mahmoud's adventurous life. Just as the evidence against the writer seems overwhelming, Mahmoud turns up alive. But why are the twins never seen together...?

Brand New

The story follows Hamza, nicknamed Dragon, whose sick child needs treatment, but his financial condition is faltering, then events lead him to become rich by entering the world of human organ trafficking.

The Innocent

A simple minded peasant was recruited in the Egyptian army where he was deceived to believe that political activists are his homeland enemies, but not for so long.